Hi everyone, I just did a quick sketch to test out Strathmore 500 Charcoal paper. The paper is in pad-form (approximately 9 x12) but it also comes in large single sheets.
The good stuff: it’s archival and 100% cotton and not too expensive (about half the price of Stonehenge paper)
The possibly not so good stuff: laid texture (good if you like it), thinness
For me this paper’s laid texture is too pronounced, especially in this size format. It’s hard to blend if you want a softer look. The texture also makes it harder to erase with your putty which makes it harder if you like to work carving by out highlights. Also, the texture heaviness might not be so pronounced, if you use the larger size single sheets that are available. For some, the laid texture might be just what they are looking for but it would have been nice to have had a choice.
The other thing is the thinness of the paper (64lb, 95g/m2). It does not bother me at this size but in larger sizes, it would be easier to flop around and cause dents.
Overall, some might love this paper for the same reasons that some might dislike this paper.
Hello everyone, it’s been a while. Here’s a little sketch I did to brush up on figure drawing, which I haven’t done in a long, long time. It’s just astounding how skills get rusty and lost if not used regularly. I always thought it was like riding a bike, you do gain the ability back but, with much work and practice. It’s more like doing exercises to maintain fitness; it’s hard but you gotta do it to be healthy.
Hi everyone, I decided to draw a parrot because I don’t know much about them and I never drew one before. Above is a pen sketch: coloured with Posca markers, on Strathmore toned paper.
I recently went to my local art supply store and saw a demo of these markers. While I don’t do a lot of marker work, I was excited by these markers because they are pigment based and are lightfast. So if you happen to do a great doodle, it would be frame worthy because of the quality pigments used instead of dye (which usually fades quite rapidly with exposure to light).
I was pleasantly surprised by the painterly quality you can achieve with these markers. When using marker paper, or in my case, Winsor and Newton marker paper, the pigments remain blendable for quite a while. You can rework it over and over again with a colourless blender or W&N white blender.
W&N white blender is semi-opaque. I have to say I love this blender. I haven’t come across a blender like this in marker form before. This blender and the marker paper is what allows to get the painterly effect. You can also can get so many tints of colour to achieve varied monochrome looks and stretch your palette as well.
Below are a couple of quick sketches:
If you do any marker work at all, these are worth investing in.