To reflect the fiery “underpainting”, I decided to include a red line on the profile of the painting:
The sides of the painting are still matte black. I want to keep the matte black as a unifying feature on all four pieces of this series.
The sign part if the painting was done with white and an iridescent green to offset the warm centre of the painting. Again, it’s really hard to capture depth of these paintings in my photo. Moreover, it’s also hard to show the shift in the colours as the light hits the painting in various angles. Hopefully, you still get the sense of it.