WIP, Glazing

Hello everyone, I hope you are having a good start into your week. I have been working on a couple of projects, and in case you were getting bored with the paint swatches, I thought I would mix it up a bit. Here is a work in progress:

IMG_4574

This painting is half-finished. I am waiting for the layer to dry in order to apply thin glazes on top.  As usual, some parts are dry and some aren’t. As you know I am impatient but I will preserve (note my spiffy new easel)! I am working from a reference photo but I wanted to paint a looser version of the original. I’m interested in conveying the depth of the beautiful and unearthly dark and light blue-green of the water.

I hope this one will turn out the way I imagined it.

Thanks for visiting,

Jeannette

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“The Pond” 4×4″ oil on panel

Hi everyone, below is a finished painting of a Koi:

img_4153 This was done alla prima (in one sitting, wet in wet). I’m pretty happy with this piece because it came out pretty close to what I envisioned in my mind.

As you know, I’m still feeling my way around oils and trying to render realistic forms. This practice in itself is good to hone skills, but I tend to get caught up in details and sometimes, it seems like work just copying what’s there. The other thing about a realistic focus is, the work can end up looking stiff. So I aimed to loosen up my painting.

Loosening up is kind of tricky; if you are using a reference, there’s a tendency to paint what you see on that reference. And if you are using a real photo, it’s natural that you would end up with a near copy of that photo. So you have to make a conscious decision to render things to a degree of abstraction and looseness. I tried to stay loose by mostly using bigger brushes but I still resorted to fine brushes for details.

I was interested in the look of painting simple subject matter and using the chiaroscuro style. And instead of carefully modeled forms in some of the Old Masters like Caravaggio, I wanted to incorporate a looser style. You can see the looser form here:
img_4154 The tail of the fish is very loose and is abstracted into obscurity. I like this effect quite a bit. I also like the contrast of the dark water and the saturated and brilliant colours of the fish.

Here’s look from another angle:img_4155 You can also see the loose brush strokes on the back of the fish. I liked these brush strokes, the colour mixing is done optically, a phenomenon that the Impressionists employed. I enjoyed this aspect of painting loosely and I like the shorter time it takes to complete a painting. This piece took 2.5 hours, half the time of the other paintings. Bear in mind, my being new to this medium and I’m probably slow.

I found it challenging to paint loosely and equally challenging painting wet into wet with oils. It’s difficult trying to paint a colour atop another colour without lifting it up. This was especially hard with painting the highlights in the water. As with all challenges, it’s very rewarding when you overcome them. I am making progress in oils and I guess I will experiment more. This is my way of figuring things out.

Now, I am wondering if it might be easier to paint looser if I paint larger..

Wishing you a lovely weekend.

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