Here is another painting in my “Experiments” series:
In this piece I’ve painted a very simple abstract motif in the shape if a wave with a high impasto arch:
I used a warm and high-chroma orange to contrast cooler colours in the background.
The wave motif central to the piece is reinforced by the water droplets:
All in all, I wanted to see how the pouring medium would affect a typical acrylic abstract painting just by coating it. Here is a view of the side painted with silver:
It seems that the pouting medium doesn’t add anything but a high gloss finish to the painting. Although the gloss has more dimension so it looks more like a clear coating rather than just a painting with high sheen level. It’s a subtle difference but one to take note of.
Hi everybody, here’s another piece from the “Experiments” series:
In this piece I used an old watercolour snippet of a face I had lying around. I adhered it to canvas and used pouring medium over it:
After the pouring medium encased the watercolour, I used micaceous iron oxide to “shade” around the watercolour to “frame” it like a vignette along with some magenta. The magenta is then used to obscure the eyes, accentuate lips and define the outline of the head. More layers of pouring medium is applied on top with various shades of teal that remind me of bronze patina. Finally, striations of gold and silver are added to breakup the image:
The black bits are fragments of micaceous iron oxide.
The piece is interesting to me because of the colour combinations and patterns. Also, the juxtaposition of the traditional-figurative against abstract motifs. The traditional elemet is a watercolour of a woman’s head, the fluid application of the magenta versus the abstract elements of rectilinear metallic lines, and even the gloss of the medium itself.
Here’s a side shot:
I’m learning quite a bit about what this pouring medium can do. And I’m finding that it is really versatile.