Hello everyone, it’s Friday again and what a relief! It’s hard to believe that this set of paintings marks the half way spot! Only fifteen more to go and it seems the time is flying by. Here are paintings 14 and 15:
#14 “Etched in Concrete”, oil on birch panel, 8″x8″
This painting is from a photograph I took of a natural patina of sorts, in concrete. I was mesmerized by the diaphanous form of a cloud, tree or mushroom that just occurred naturally. I found it beautiful and amazing.
When I set out to paint it, it was interesting. Often times I tag a painting as representational or abstract. In this case, it’s a representational painting of an abstract image~go figure.
#15 “The Look”, oil on birch panel, 4″x4″
When I saw this photo of this goat, I had a chuckle. The look on the goat reminds me so much of one of my sons when he’s in a certain mood. I like to approach portraying animals as I would a human portrait; I think it adds a lot of character and is a lot of fun.
I am reminding myself to enjoy the little things.
Wishing you a great weekend!
Hello everyone I hope you are doing well. Below are numbers 12&13:
#12 “Brown Eggs”, oil on panel, 5″x5″When I saw a photograph of this, I knew I had to paint it. The “brown” of the eggs against the robin’s egg blue of the carton really caught my eye.
When I started painting this, I realized how difficult the “brown” of the eggs really is. It’s was hard to define and match the colour, for me at least. It’s more like a range of light caramel, light chestnut, bisque and burnt sienna instead of just brown.
The blue of the carton in all it’s variations is one I have loved for a long time. So I didn’t have trouble with it. I am happy about the way the “cardboardness” of the egg carton turned out.
#13 “On the Way Home”, oil on panel, 8″x8″This painting is based on a blurry photograph I took through the car windshield. We were on the way home from a trip out-of-town. Suddenly, whilst the sky was shifting, I saw the most vibrant red in the sky. I remember never having seen the sunset that red. Maybe because it was sandwiched between dark and smouldering clouds, but the red was really intense.
Thank you for reading.
Hello everyone, it’s Monday and I hope your holiday preparations are well under way. Below are the next three installments of my paintings:
#9 “Two Halves”, oil on panel, 4″x4″This piece was a pleasure to work on, it gave me no troubles. Sometimes, regardless of the perceived difficulty or ease of a picture, some paintings will give you problems. But this one was straight forward and enjoyable to paint. I especially like the imperfections in the flesh of the avocado and the beautiful variations and depth of the green.
#10 “Raven Study”, oil on panel, 4″x6″This piece was partly a learning experience in figuring out what kind ogf brushstroke would give the look of feathers. Unless you are painting in the Hyper-Realist style, you need only to suggest the look of feathers, not paint each one. I think in the end it looks believable. I do like the monochromatic look with a hint of blue-black.
#11 “El”, oil on Gessoboard, 5″x7″This piece, in case you don’t recognize it, is ‘El’ from the Netflix series, “Stranger Things”. I thoroughly enjoyed the series and thought the little girl who played this character was beautiful. So I attempted to paint her, but it the painting ended up portraying her to look older. With the time frame I was working in, I didn’t want to correct it or do it over. And I do like the feeling and look of the piece.
It has been a lot of work so far. It is one thing to paint everyday but to finish a painting a day is quite challenging for me. The good thing is, it’s like a crash course; I am learning quite a bit about oil painting. And that’s a good thing, since my motivation for this challenge was to get more proficient in oils.
Thanks for reading,
Wishing you a great week!
Hi everybody, TGIF! I hope your week has been good. Below are paintings #7
#7 “The Diver”, Oil on Birch Panel, 5″x7″
I always liked the look of being underwater with the light shining through from the surface. In real life, I’m kind of scared of being underwater despite knowing how to swim. I really liked this picture when I saw it and attempted to paint it.
I am happy with the way it turned out. I think it could have looked a lot worse, like one of those magazine ads. I wanted it to have an introspective and psychological aspect. I like the diver figure obscured with the dark blues of the water. The darkness is contrasted by the glow of the light. It almost feels like a metaphor for life.
#8 “Study of Bird Skull”, Oil on Birch Panel, 4″x4″ This painting looks better in real life. In this picture, there’s more contrast in the contours. In reality, the painting is more subdued. That’s the look I was going for. I wanted to use a limited palette to render light and delicate variations in tone. I wanted to illustrate the beauty and delicacy of the bird skull.
I hope you like these so far.
Wishing you a lovely weekend.
Hello everyone, I hope your week is going well. Below are #5 & #6:
#5 “View”, Oil on Birch Panel, 4×4
I painted this little scene using a copyright free photo reference. I love the vibrancy of the colours and the turquoise patina on the rock walls. I also love the contrast between the shadowed walls and the saturated colours in the light.
#6 “Study of Caravaggio’s Judith”, Oil on Panel, 2.5×5″
I have long been an admirer of Caravaggio’s work. His mastery of chiaroscuro and drama of his scenes are intense. The painting I was studying is called Judith Beheading Holofernes. The subject matter of this painting was very popular and many artists depicted this scene. I don’t like the gory part of the painting but Judith’s face really captured me.
I decided to use an even smaller surface to work on but I think the painting looks powerful and big somehow. I tried to capture the expression of the original since the other aspects were not possible.
One of the aspects I’m talking about from the original painting is the colour. It is impossible to duplicate in my situation, since I was working from a digital reference of a photo print. Also, I was painting alla prima with paints that are made of different pigments. Also, the manufacture of the paint is different was well.
Despite the differences in materials, technique and the time constraints, I really enjoyed working on this one.
Hello everyone. Needless to say, it’s getting kind of hairy with the holiday season ramping up. I don’t have my tree up yet and usually I like to have it up on December 1st. So I wanted to let you know that I will try to post regularly but the paintings in my posts will likely have a one-day lag. Anyhoo, below are paintings 3 & 4:
#3 “Persimmon with Hazelnuts” Oil on Panel, 4×4″
I love persimmons and as it happens, this was the last one I had left. So I decided to paint it. To make the composition more interesting, I threw in some hazelnuts. This painting was done from life.
#4 “Unknown Hooves”, Oil on Panel, 5×7″
This painting was done from a photo reference. I had saved this photo from a copyright free site because it looked interesting. But I have no idea what animal these hooves belong to.
I found the forms of the legs and hooves really interesting to draw. I especially like the contour of the shapes. Here is a close-up of my sketching in the underpainting:
I hope you have a good week.
I will remind myself to stay calm and be mindful of compassion to others in this holiday season.
Hi everyone, as I took the plunge yesterday into A Painting A Day Challenge, I have been busy catching up. Below are paintings 1 & 2:
#1 “Still Life with Handmade Pottery”, oil on Birch Panel, 4×4″
The first day was a mad rush to get this piece done since, I just committed to the challenge in the same afternoon. The pottery featured in the painting is one of my pieces I made at the end of summer. This is my first still life painting and it was done using a live reference, not from a photo. It was nice working from life but also difficult, because of the shifting natural light while I was painting. I am pleased with the way this turned out.
There’s something about the simplicity of still lifes that appeals to me. I am drawn to Still lifes that have very simple composition with very few objects. I think that the simplicity invites the viewer to really look at things.
The thing I like most about painting is when the painting shifts from the “ugly phase” into interesting passages and starts coming to life. Usually this happens when things quiet down and you get into a “zen state”, where you just observe and paint and all other things fall away.
#2 “Red Sea and Clouds”, oil on Gessoboard, 5×7″
The second painting was done using a reference photo loosely. It’s an abstracted seascape that was manipulated with textural effects. Here is a detail shot:
This is the first time I deliberately pushed oils incorporating organic effects.
I hope you liked my first two, hopefully I can manage to fulfill my commitments for this month!
Wishing you a great weekend!