Hi everyone, below is a finished study of a sheep 4×4″:
As you know, I’ve been trying to get comfortable with oil painting. So I decided that I will do a variety of small studies. I think it’s a first for me to do farm animals, there’s something simple and wholesome about farm animals.
I started off with this underpainting:
I might change my method of doing things later. I still haven’t found a streamlined way of working on multiple pieces at once and not worry about layers. For example, if I have 6 paintings going at once and I work on a couple of them in one day and others on another day, some are bound to be dry and have different number of layers. That in itself is not a problem, but as I have to add more fat in each layer of a painting, I will not be able to remember how much fat was added or which layer it is (number) in a given painting.
I might implement a drying rack system to help with the problem of sorting out which stage a painting is in. I already hacked/built a drying rack to store my paintings. Maybe as I paint, can I store them different slots that identify different layers. Them, I use mediums that I formulated with different ratios of fat to correspond with the layers. We’ll see I guess.
Anyhoo, I have found that realistic representational paintings take a lot of time and sometimes tedious when working on them. And since I don’t want to deal with layers, I try to finish them in one sitting. Maybe when I get more used to them, I won’t worry too much about technical issues about the material. But they are rewarding when they are finished:
Above is a closer look at my sheep. It’s refreshing to paint different subject matter sometimes. It goes to show you, you should always try something new.
Wishing you a productive week.